In mythology there
are two concepts of αρχή: absolute αρχή, from which people originate, and
relative αρχή, when they become the continuation of their ancestors. The
formation of αρχή and its rudimental embodiment is based on feminine and
masculine sexual cells merge, which leads to embryo origination. Feminine and
masculine sources, holding their ancestors' experience, form the relative αρχή,
while newly formed embryos are absolute αρχή-holders. From the point of view of
symbolic numbers in the ontogenesis process, we would find out that the embryo
develops in three phases. After the first phase the embryo is divided into two
cells, leading to the second phase of the division. Then each part of the
divided embryo continues division in dichotomic progressive order. This
consistent pattern was widely used in mythology, representing the numbers four
and three as symbols of motherhood and fatherhood. In individual’s life there
is a circle when his development continues as a geometric plan, specific
mandala. Depending on a nation's cultural peculiarity and figures in
unconscious layers, number three is usually perceived as a masculine symbol,
number four as a feminine one. According to that principle the plans of ancient
cities are being described in myths. In one of the earliest descriptions it is
mentioned, that the basis of the city was outlined as a circle or a square. In
addition, cities have had four gates, facing the four sides of horizon. In a
research Jung describes an ancient city with its symbolic structures and
rituals. On one hand, as a masculine source it is mentioned the moon and number
three. On the other hand, as a feminine source the sun and number four are
mentioned. Another example: in Christianity one of the most important symbols
is the cross, which expresses different aspects, ideas and emotions, but when
in a roster we meet symbolic cross after a person's surname, that simply means
he is dead. The other frequently met symbol is mandala. It is an autonomous
psychological factor that is described by consistently repeated peculiarities
that are not being changed wherever they met. It is depicted as a circle. In
addition to a circle, in some cultures the square is being depicted as an
outset. In some cases the researcher
can find two figures combined: a square within a circle. That kind of
pictures can be found in tibetian Mahayana buddizm. Those
are represented as squares within circles with T-shaped supplements on square's
each side. There are also additional circles within the square. As another
feminine symbol it is accepted a triangle within the mandala.
The mandalas that
were discovered in dreams and paintings by Jung , could be reflection of
sky-observations. He mentioned that while dreaming the universe is usually
being perceived as three three-dimensional balance wheels. Those balance wheels
are the best embodiment of harmony. It is thanks to their harmonious work that
the continuity of life is being provided and time gets its course.
Man is prone to
embody the spiritual and mythological aspects, that's why he tries to do that
through symbols and injecting them with the idea of universal spirit.
Based on mythology,
Jung's archetypal characters are identified in the following:
1.
The self
2.
The shadow
3.
The persona
4.
The anima, the animus
5.
The mother
6.
The father
7.
The child
8.
The wise man
9.
The trickster.
Archetypes are
illustrative embodiment of forgotten facts pertaining to collective soul. Archetypal phenomena are
manifestations of collective unconscious processes. Archetypal forms of symbols are associated with the
collision of present and past events. It is
derived from non-physical facts and distinguishes how the soul experiences
spiritual facts, sometimes acting autonomously and rejecting the reality. They
are functioning as a kind of rescuing and protective patterns. Archetypes are
simultaneous images and emotions. They can be noted when those two factors are
overlapped.
Archetypes are
based on instincts, which are embodied in the archetypal symbols. For
their mystic nature archetypes are motives for religions, myths, dreams and
visions. Archetypes are not subject to consciousness. Mythological archetypal symbols are to
explain things that are new or strange to people and frightens them. Religious
archetypal symbols are important for people to realize their life sense. Archetypal
destruction leads to the destruction of the soul.
Symbols are the
result of natural attempt to unite and reconcile intrapsychic contradictions.
Researchers distinguish «natural» and «cultural» symbols. The natural ones
derive from the content of unconsciousness and represent many variations of the
main archetypal characters. Cultural symbols are actually used to express
«eternal truths» and are even nowadays being practiced in many religions. Those
symbols have undergone transformations and a kind of conscious evolution, thus
becoming collective characters that are accepted by «civilized societies».
Cultural symbols
can cause as deep resonance as the prejudices and superstitions, thus creating
a state of uncertainty, which is the worst for the human consciousness.
However, destroying them the energy goes to deeper layers of the unconscious
and may have unpredictable consequences. The psychic energy often becomes part
of the archetypal Shadow existence maintenance and expression.
The
events which took place from the first decade of the twentieth century keep the
modern world in the state of «global schizophrenia». The
rationalism of modern people inflicted them to a global catastrophe. Exempt
from superstitions, man is on the dangerous boundary to lose spiritual values
in the current turns of events. The complex of spiritual and moral traditions
has collapsed inducing widespread confusion and conflicts. In their researches
the anthropologists have noted that while being influenced by "civilized
society" their spiritual values were damaged, people lost their sense of
life. The same thing happens today: removing people from moral principles and
ruling their conscious life, people are deprived from the moral lifestyle,
which can be a base for a collapse. Humanity is about to lose his «unconscious
emotional» identity with nature.
Комментариев нет:
Отправить комментарий